When I pick up a piece of fabric, a needle, and thread, I am reminded of how stories and histories are revealed in cloth and clothing. Techniques traditionally considered women’s work including sewing and needlework are the foundation of my practice. Excluded, under-told and forgotten stories combined with a passion for making and materials merge and unfold as new storylines. The narratives that inspire and inform my making are those of the African Diaspora, her-stories and the experiences of the disenfranchised. Often reflections based on personal experience, my work is an ongoing examination of who I am, where I fit and how I choose to participate in the historical narrative.
I see cloth and clothing as a visual language. As I explore this language I try to discover a vocabulary that speaks of the extraordinary within these ordinary materials, uncovering stories through color, texture, pattern and form. I use these elements to embed my work with meaning and to create textile objects that engage viewers on both an aesthetic and emotional level. I am liberated when I stitch and I strive to liberate my subjects and those viewing my work through respect and contemplation.